Friday, May 9, 2025

Know Your Rights: A Guide for Photographers on Understanding Copyright and Intellectual Property Rights In Your Work

As a photographer, your work is your art, your business, and your livelihood. Whether you are a freelancer, a hobbyist selling your photos online, or a professional contracted for commercial projects, it is crucial to understand the legal protections afforded to you under copyright law. Having represented many photographs over the years in my law practice, in order to answer the most frequently asked questions, what follows is a basic outline of the key rights you should be aware of in order to protect your creative output.

1. You Own the Copyright the Moment You Take the Photograph

Under the U.S. Copyright Act (Title 17, U.S. Code), copyright protection exists from the moment the photograph is created in a fixed, tangible form - which means as soon as you take the photo and save it (digitally or otherwise), you are the copyright owner.

This gives you exclusive rights to:

  • Reproduce the photograph
  • Distribute copies
  • Display the image publicly
  • Create derivative works
  • License the image to others

You do not have to register the photo with the U.S. Copyright Office to own the copyright. However, registration does provide additional rights and remedies, and is required if you want to commence legal action for infringement and collect statutory damages and attorney’s fees.

2. Work for Hire

Under certain circumstances, particularly if  you are employed by a company and take photos as part of your job duties, or you are contracted for a particular project, your employer - not you - likely owns the copyrights as a matter of “work for hire” under US copyright law.

For freelancers, a work for hire agreement must be in writing and fit into a narrow category of accepted works (e.g., a contribution to a collective work or part of a motion picture). If it does not meet these criteria then you retain copyright, even if someone else paid for the shoot (unless you assign it in writing).

Best Practice: Always use a written contract clearly stating whether the work is a work for hire or a licensed work where you retain the copyright.

3. Licensing: Control How Your Work Is Used

Licensing allows others to use your photos under your terms. Licenses can be:

  • Exclusive or non-exclusive
  • Limited by time, geography, or medium
  • Royalty-free or rights-managed

Be specific in your contracts. For instance, if you license a photo for use in a print brochure, state whether digital use is also permitted. Ambiguity often leads to disputes.

4. Model Releases: When You Need Them

A copyright gives you the right to your image, but using identifiable people in commercial contexts may violate their right of publicity or privacy.

  • Commercial use (advertising, product packaging): Requires a signed model release.
  • Editorial use (news, commentary, art): Generally does not require a release.
  • Stock photography: Most reputable agencies require model releases for any identifiable person in a commercially licensable image.

Best practice: Get signed model and property releases when possible - it protects you and increases your options for licensing.

5. Infringement: What If Someone Uses Your Work Without Permission?

If someone uses your photo without a license:

  • Document the use (screenshots, URLs, dates).
  • Determine if it’s a fair use (educational, commentary, etc.—consult a lawyer).
  • Send a cease and desist letter or DMCA takedown notice.
  • File a copyright infringement claim if needed (only possible if the work is registered).

If you filed a copyright registration on your work prior to the infringement then you are entitled to damages in an amount up to $150,000 per infringement plus legal fees. Without a copyright registration, you’re limited to actual damages and profits which you must prove at trial.

6. Protecting Your Work Online

  • Use watermarks strategically.
  • Embed metadata (EXIF/IPTC) with your name and contact info.
  • Consider reverse image search tools (like Google Images) to monitor unauthorized use.
  • Register your most valuable work with the Copyright Office - it’s affordable and powerful.

Final Thoughts

Photography is both an art and a business. By understanding your legal rights, you can control how your images are used, protect your creative investments, and take informed action against infringement. In most cases, it is best to try to memorialize get your arrangement in writing. Remember the importance of contracts, copyright registration, and proactive enforcement. When in doubt, consult a lawyer experienced in the area for legal advice.

 

Wallace Collins is an entertainment lawyer and intellectual property attorney based in New York with over 35 years’ experience in music, film, television and emerging technology, and he handles many current digital media matters including issues that arise with AI. He was a songwriter and recording artist for Epic Records before receiving his law degree from Fordham Law School.

Website: http://www.wallacecollins.com